So, at least, thought Teresa; except that she did not put it to herself in terms of apprehending works of art. Sebastian was wiser, and colder. He had estimated—and, up to a certain point, with accuracy—the effect that the dark galleries would have upon Teresa. When he chose, his technique could be faultless; it was faultless now. (He was not really to blame for his miscalculation of one essential particular.) He was very gentle with Teresa, warning her not to stumble over a step, holding the tapestry aside that sh…
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